Canal Latino
1.TV: http://canalelatino1.blogspot.com/
Thursday, December 30, 2010
Monday, December 27, 2010
Idera Sql Diagnostic Manager 4.6.8
SABOR Y CONTROL - "EL BRAVO" - OFFICIAL VIDEOCLIP
CHANNEL LATINO 1.TV: http://canalelatino1.blogspot.com/ 
CHANNEL LATINO 1.TV: http://canalelatino1.blogspot.com/
Clipart Of Laundry Detergent
FIDEL NADAL - LIGHT AND COMPANY - OFFICIAL VIDEO CLIP
CHANNEL LATINO 1.TV: http : / / canalelatino1.blogspot.com / 
CHANNEL LATINO 1.TV: http : / / canalelatino1.blogspot.com /
Tuesday, December 21, 2010
Smtp 554 Message Looks Like Spam
The New Year Fieston Firenze 2011 to December 25 and 31 in Milan - Orq. Kaliente - Iquitos, Peru
Monday, December 20, 2010
Hdloader 3.8c Descargar
DOSSIER "IMAGE & PUBLIC (video art has thirty years) (1990)
DESCARGA - DOWNLOAD:
DOSSIER "IMAGE & PUBLIC (video art has thirty years)" (PDF)
incluye:
-A 'now adult art of Gianni Toti
-market research and freedom of Marco Maria Gazzano
-A long Cultural Revolution Dany Bloch
-television abstract Jean-Paul Fargier
-A new total art of Martha Sturken
video-What works in museums? Lola Bonora
-without beginning and without end: the simultaneity of Toti Rosanna Albertini
First video-space-Italian Dario Eaola
-10 years of electronic art of Victor and Matilda Fagone Pugnetti
-L 'experience Videodiamanti
- Appointment of reflection Vittorio Boarini
-The 'Archaeology' of the video of Valentina Valentini
From Script to-video-Carlo Infante
Videobibliografia by Marco Maria Gazzano 
DESCARGA - DOWNLOAD:
DOSSIER "IMAGE & PUBLIC (video art has thirty years)" (PDF)
incluye:
-A 'now adult art of Gianni Toti
-market research and freedom of Marco Maria Gazzano
-A long Cultural Revolution Dany Bloch
-television abstract Jean-Paul Fargier
-A new total art of Martha Sturken
video-What works in museums? Lola Bonora
-without beginning and without end: the simultaneity of Toti Rosanna Albertini
First video-space-Italian Dario Eaola
-10 years of electronic art of Victor and Matilda Fagone Pugnetti
-L 'experience Videodiamanti
- Appointment of reflection Vittorio Boarini
-The 'Archaeology' of the video of Valentina Valentini
From Script to-video-Carlo Infante
Videobibliografia by Marco Maria Gazzano
Sunday, December 19, 2010
Emt Training Michigan Accelerated
The TV Special - "Italy Tour Site The Fund must" - JANUARY 02, 2011 at 20:00 Central European Time - Canale Latino 1.Tv
Canal Latino
1.TV:
http://canalelatino1.blogspot.com/
This December 26, 2010 at 21 : 00 Italian time celebrating the Christmas season and right through Canale Latino 1.Tv the exclusive Special Tour "The Fund is there Room" in Italy 2010 , with everything that happened in the various presentations that had the hit list on this tour through Europe.
Milano, Torino, Rome were the cities where the Latino community was appointment to see their favorite artists This live show.
Interviews, Behind the scenes, Presentations, all that was the Tour of "The Fund is there Room" in Italy. Promoter exclusive artists Promoexitos Italy and Europe. 
Canal Latino
1.TV:
http://canalelatino1.blogspot.com/
This December 26, 2010 at 21 : 00 Italian time celebrating the Christmas season and right through Canale Latino 1.Tv the exclusive Special Tour "The Fund is there Room" in Italy 2010 , with everything that happened in the various presentations that had the hit list on this tour through Europe.
Milano, Torino, Rome were the cities where the Latino community was appointment to see their favorite artists This live show.
Interviews, Behind the scenes, Presentations, all that was the Tour of "The Fund is there Room" in Italy. Promoter exclusive artists Promoexitos Italy and Europe.
Friday, December 17, 2010
Tuesday, December 14, 2010
Racquel Darrian By A Pond
FUND'S WEBSITE - PROGRAM "fourth estate" - AMERICA'S FUND
This is one of the reports imnumerables Peruvian television that dedicated to what was the end of the most successful TV series of recent times "The Fund is there Room", where reference 3:52-minute video released by our Canale Latino 1.Tv on the internet and made the turn by all the media in Peru, including "El Comercio", "The Trome" , "Aja" "Terra" and others. 
This is one of the reports imnumerables Peruvian television that dedicated to what was the end of the most successful TV series of recent times "The Fund is there Room", where reference 3:52-minute video released by our Canale Latino 1.Tv on the internet and made the turn by all the media in Peru, including "El Comercio", "The Trome" , "Aja" "Terra" and others.
Monday, December 6, 2010
Wednesday, November 24, 2010
Tuesday, October 26, 2010
V1.6.1820 Bloodmoon No Cd
Creative Spaces: The house totiana (The reopening of the public house of Gianni Toti)
By Silvia Moretti
When approached, in the pauses of festivals, Gianni Toti had an uncontrollable habit to overwhelm every other party in a universe in which a flash ruffled center of gravity, meaning and cultural references. In this displacement, however, a cardinal point was always in sight, the nerve center and more intimate than the conflagration: The Way of journalists, 25. Gianni Toti repeated over and over again to young people around him his home address - just add in one go by the house number. Viadeigiornalistiventicinque - he said.
generous conversationalist, the Poetronics opened his creative universe by snapping the lock of his first work in progress. His house. A cluster of rooms covered with writing. On the walls, the ceiling in the bathroom and hall. Books and other books. Posters, posters, photos, objects, drawings hung like a big board to mark the events of a lifetime. The house as his home planet to browse, the planetoti who portrayed Sandra Planetoti smooth in the video notes (1994).
On May 15, 2009, two years after the death of Poetronics, totiana The house has reopened. He simply moved the doorbell to a new address, house number attached. Via Ofanto, 18. Rome. Pia Abelli, his wife, he rebuilt the library, video library and archive of Toti along with his companions, scholars, Italian and foreign artists who founded the Cultural Association The home totiana.
The removal operation has proved a happy metaphor. Transport, ie, literally. A transport that carries with it new forms and new meaning: a move which is both a rediscovery of what is and what will be opening. The local street Ofanto are spaces, enlarged and equipped, whose perimeter is marked by the over twenty-five thousand volumes owned by that artist omnivorous and plywood. A closet - the archive - is carved from the agendas of its thickened poetry daily, its literary and film projects, published and unpublished, from the correspondence that has woven with his century. In addition to the shelves, the walls are dotted with paintings of his first wife, the painter naif Marinka Dallos (his other works are collected in a nearby primary school "Lante della Rovere") from the objects collected over countless trips in the four corners of the universe and the photographs are impressive shots of his life on the move. Zavattini and Toti, Toti and Che Guevera, Toti and Cortazar. Toti e. .. In these ellipses, dots that so often left at the end to his poems and videopoems, is the nature of the house totiana. Place that yes, it offers to the attention of literary scholars totiani or video-graduates, but to be born with creativity, riding new languages.
An initial response to this trial were "prototypes", three readings of how creative and poetic world totiano made by some students of the Experimental Centre of Cinematography in Rome (during the "Cinema and Reality", prof. Daniele Segre). Along with the latest
VideoPoemOpere totiane, the "prototypes" will be screened November 21, 2009 in the Romapoesia Film Festival.
The House website is Totiana: www.lacasatotiana.it
The e-mail address: segreteria@lacasatotiana.it This e-mail address is being protected from spam bots. You need JavaScript enabled to view it.
Totiana House can be visited by appointment to be arranged.
Publicado en la Revista Predella, no. 26 (2009)
ARTICLE IN PDF 
By Silvia Moretti
When approached, in the pauses of festivals, Gianni Toti had an uncontrollable habit to overwhelm every other party in a universe in which a flash ruffled center of gravity, meaning and cultural references. In this displacement, however, a cardinal point was always in sight, the nerve center and more intimate than the conflagration: The Way of journalists, 25. Gianni Toti repeated over and over again to young people around him his home address - just add in one go by the house number. Viadeigiornalistiventicinque - he said.
generous conversationalist, the Poetronics opened his creative universe by snapping the lock of his first work in progress. His house. A cluster of rooms covered with writing. On the walls, the ceiling in the bathroom and hall. Books and other books. Posters, posters, photos, objects, drawings hung like a big board to mark the events of a lifetime. The house as his home planet to browse, the planetoti who portrayed Sandra Planetoti smooth in the video notes (1994).
On May 15, 2009, two years after the death of Poetronics, totiana The house has reopened. He simply moved the doorbell to a new address, house number attached. Via Ofanto, 18. Rome. Pia Abelli, his wife, he rebuilt the library, video library and archive of Toti along with his companions, scholars, Italian and foreign artists who founded the Cultural Association The home totiana.
The removal operation has proved a happy metaphor. Transport, ie, literally. A transport that carries with it new forms and new meaning: a move which is both a rediscovery of what is and what will be opening. The local street Ofanto are spaces, enlarged and equipped, whose perimeter is marked by the over twenty-five thousand volumes owned by that artist omnivorous and plywood. A closet - the archive - is carved from the agendas of its thickened poetry daily, its literary and film projects, published and unpublished, from the correspondence that has woven with his century. In addition to the shelves, the walls are dotted with paintings of his first wife, the painter naif Marinka Dallos (his other works are collected in a nearby primary school "Lante della Rovere") from the objects collected over countless trips in the four corners of the universe and the photographs are impressive shots of his life on the move. Zavattini and Toti, Toti and Che Guevera, Toti and Cortazar. Toti e. .. In these ellipses, dots that so often left at the end to his poems and videopoems, is the nature of the house totiana. Place that yes, it offers to the attention of literary scholars totiani or video-graduates, but to be born with creativity, riding new languages.
An initial response to this trial were "prototypes", three readings of how creative and poetic world totiano made by some students of the Experimental Centre of Cinematography in Rome (during the "Cinema and Reality", prof. Daniele Segre). Along with the latest
VideoPoemOpere totiane, the "prototypes" will be screened November 21, 2009 in the Romapoesia Film Festival.
The House website is Totiana: www.lacasatotiana.it
The e-mail address: segreteria@lacasatotiana.it This e-mail address is being protected from spam bots. You need JavaScript enabled to view it.
Totiana House can be visited by appointment to be arranged.
Publicado en la Revista Predella, no. 26 (2009)
ARTICLE IN PDF
Free Beautiful Agony Clip
Chained to the film The pre-visions on paper of the trilogy Majakovskiana Gianni Toti
By Silvia Moretti
In a video describing the pen of the critic confesses often to drown in his ink. Often the writing effort to restore the complexity of electronic effects, the pirouettes of looks that they sprout, the excesses of image and imagination that are layered upon one another. "No video is describable, let alone words," said Marco Maria Gazzano years ago - "let alone those, irreducible, Toti 1. The singularity of
videopere Gianni Toti, irreducible on paper, is But the fact that they may be opened by key card. Toti was in fact a writer of all the scriptures are always looking for new ways to break free from the traps of language. On his arrival at Poetronics, poetry expressed with the electronic units of expression, in the late '70s, it was not fixed in a tear in the paper. Together with the notes he wrote down frantically to keep up with his imagination (cards, kept in the House Totiana in Rome, lend themselves now to be studied), and its production in print, the dozens of volumes of poems sixties, the two novels in the following decade, more than a thousand articles on magazine spread function compared to its true creator avantesti. Among the numerous
videopere totiane, those made in the 80s at the Research and Experimentation Program Rai's daughters are par excellence of the written page. Trilogy Majakovskiana second video works made in 1983, is a singular case. His story begins and ends on paper. Do not start, if not apparent, with or VALERIAscopia dell'amMAGLIattrice, video dance in a tutu and chromakey that forms the first act. It does not end with the last, Heart of Telemar, the free film rehabilitation of a person of Vladimir Mayakovsky. These two movements frame the experiment that earned him to establish the identity the whole trilogy: Chained to the film.
In Toti revisits it literally 2 minutes and 40 seconds of 'eponymous film Sakavannaia filmoi (Turkin, 1918) written and played by Mayakovsky, together with partner Lili Brik. She is to hand over the future Poetronics few fragments escaped a fire, collect the key moments in the history of a love between reality and fiction: the exit of the dancer from the film poster that depicts, its first steps into the room of the painter who is in love with her, his nostalgia of the screen. Lili-dancer comes out, Toti instead enters the film. For escatenarla - says the subtitle of the video - with the fluid language of the tape. The
Poetronics explores frames corner to corner. It produces new images from the same image, duplicating it with specular effects and caledoiscopici or isolating details. With the slow motion, his gaze translates time into space and space with the texture and bright pixel button.
The narrator of Toti interwoven with images in a polyphonic concert. "The dream on paper tape sognificato made flesh "preliminary to a certain point, and continues:" Lili is paper and blood, film, and tape is made of matter depending on the exhausted our dreams. "
Before the tape for over a decade Gianni Toti continues to live chained to the film on paper. The first rewrite is kept in the No. 15 (January-March 1971, p. 111) the journal of secret papers which the poet was co-director along with Domenico Javarone:
"Sakovannaia filmoi: imprisoned, or" chained from the movie ", from cinema by extension: is the second film of Vladimir Mayakovsky, what are the differences assembly. Lisstcka [Lili Brik] Gianni Toti told him, Litciko did force itself, recalled the memory of the memory ... Vladimir was the painter, extracted from the screen, a white lenzuolone the cruising in the room without walls, the woman movie, loved the image inside the film, the image of nothing "(Fig. 1).
In this article, entitled The demoiselle et le voyou - Chained to the film, Toti recalls the evening of February 1970 when Lili led him into a small cinema in Moscow to watch a film of Mayakovsky The demoiselle et le voyou. Holding out the few remaining frames, the friend told him the story of the second film, Chained to the film: "Who has seen, who will see these Leftovers that are not "silent"? "Questions Toti. In France Brik's sister, Elsa Triolet Aragon Kagan, had recently organized an exhibition on Majakovkij. Toti wrote to March 10, 1970 that the matter may be known in Italy. The project blends. Puts it on paper because they do not fall into oblivion:
"... we will try again here [...] telling and posting pictures and posters and cutouts for mounting. In the hope that readers - or some superlettore rich with them - are other organizational and economic resources to bring movies to Mayakovsky in "public" new. "
posters, photographs, Lili letters: most part of the iconographic material will be removed from Toti to the introductory part of his heart with Telemar. In 1978 the plan rewriting audiovisual ambitions took three years
"Years have passed since the Board of Directors of RAI-TV, on the eve of" reform, "approved the project that Gianni Toti had submitted to" the experimental "(...) for a film (television) on the film-brik majakovskijani. He was even prepared a budget for the resumption of a long television interview with Lili Brik, precaution and lovingly say cynical would disappear one day, as late as possible, the immortal mortal woman poet "(Fig. 2).
In Farewell to Lili Brik farewells to 41 the number of cards Secret (Jan-March 1978), Toti can not help but cry, through poetry, the death of the actress feeling "the total inability to return now that life image ': we had to
toti movie again - ah design it!
irrilanciato "unleashed by the film" instead reincatenata
from "distant vision" that the RAIlenti svive
palinsestuale always in his eyes scouring the species.
Given the inertia of the Rai, the only place guaranteed to make seems to be reviving the literary page. On one of the absolute master, the 1977 novel experimental limits of aphasia, life and death become the poles of a dialectic and discussed in chapter 36 right through the woman chained to her cinigma and painter, "he filmed the story of a film [...] and you read it here because the movie was not nonflam buzz and some store of powder, and only these words are written rifilma on a screen so that the internal schermimisce "(The absolute master, Feltrineli, Milan 1977 , p.57). The final song, which suggests some of the verbal images in which the mature narrator in the video is no longer that of the original Chained the film:
"The turnaround of the skirt the heart, the jump of kinetic painter: and all two-page inside the screen-painting-sculpture. He followed: she went out to drag him into his world or he had to chase her out then, the route incantazio, over eternity? "
In rewriting Toti hide in the rewriting of facts and reality intentional Mayakovsky (Figs. 3-4).
After ten years of the trilogy, released a booklet edited by the author, The Legend of Cinelandia (Fahrenheit, Rome 1994): This is the result of a process created and found on the chart where the spaces are resolved 2'40'' visual properties of frames printed. These pages collect the scenario of Chained to the film as noted by brick. And trace its variant ever made: Cinelandia is the land of cinema in search of which the painter, left alone, decided to leave. Mayakovsky would have written a second film, describing the artist's life occurred in the world beyond the screen. In 1926, however, returns on the first draft and signing Heart cinema changing the ending. The painter lit his pipe. Thrown into the air, the match fell to the tail of film to which she was again chained. And the burning. Reality and fiction, a painter and dancer, was not destined to meet again. Under the same sign of a fire that was soon to reality.
----
1. M. Gazzano, Gianni Toti. The time of effect, id., Cinema photography, computer, Quattroventi, Urbino, 1999.
Publicado en la Revista Predella, no. 26 (2009)
ARTICLE IN PDF 
By Silvia Moretti
In a video describing the pen of the critic confesses often to drown in his ink. Often the writing effort to restore the complexity of electronic effects, the pirouettes of looks that they sprout, the excesses of image and imagination that are layered upon one another. "No video is describable, let alone words," said Marco Maria Gazzano years ago - "let alone those, irreducible, Toti 1. The singularity of
videopere Gianni Toti, irreducible on paper, is But the fact that they may be opened by key card. Toti was in fact a writer of all the scriptures are always looking for new ways to break free from the traps of language. On his arrival at Poetronics, poetry expressed with the electronic units of expression, in the late '70s, it was not fixed in a tear in the paper. Together with the notes he wrote down frantically to keep up with his imagination (cards, kept in the House Totiana in Rome, lend themselves now to be studied), and its production in print, the dozens of volumes of poems sixties, the two novels in the following decade, more than a thousand articles on magazine spread function compared to its true creator avantesti. Among the numerous
videopere totiane, those made in the 80s at the Research and Experimentation Program Rai's daughters are par excellence of the written page. Trilogy Majakovskiana second video works made in 1983, is a singular case. His story begins and ends on paper. Do not start, if not apparent, with or VALERIAscopia dell'amMAGLIattrice, video dance in a tutu and chromakey that forms the first act. It does not end with the last, Heart of Telemar, the free film rehabilitation of a person of Vladimir Mayakovsky. These two movements frame the experiment that earned him to establish the identity the whole trilogy: Chained to the film.
In Toti revisits it literally 2 minutes and 40 seconds of 'eponymous film Sakavannaia filmoi (Turkin, 1918) written and played by Mayakovsky, together with partner Lili Brik. She is to hand over the future Poetronics few fragments escaped a fire, collect the key moments in the history of a love between reality and fiction: the exit of the dancer from the film poster that depicts, its first steps into the room of the painter who is in love with her, his nostalgia of the screen. Lili-dancer comes out, Toti instead enters the film. For escatenarla - says the subtitle of the video - with the fluid language of the tape. The
Poetronics explores frames corner to corner. It produces new images from the same image, duplicating it with specular effects and caledoiscopici or isolating details. With the slow motion, his gaze translates time into space and space with the texture and bright pixel button.
The narrator of Toti interwoven with images in a polyphonic concert. "The dream on paper tape sognificato made flesh "preliminary to a certain point, and continues:" Lili is paper and blood, film, and tape is made of matter depending on the exhausted our dreams. "
Before the tape for over a decade Gianni Toti continues to live chained to the film on paper. The first rewrite is kept in the No. 15 (January-March 1971, p. 111) the journal of secret papers which the poet was co-director along with Domenico Javarone:
"Sakovannaia filmoi: imprisoned, or" chained from the movie ", from cinema by extension: is the second film of Vladimir Mayakovsky, what are the differences assembly. Lisstcka [Lili Brik] Gianni Toti told him, Litciko did force itself, recalled the memory of the memory ... Vladimir was the painter, extracted from the screen, a white lenzuolone the cruising in the room without walls, the woman movie, loved the image inside the film, the image of nothing "(Fig. 1).
In this article, entitled The demoiselle et le voyou - Chained to the film, Toti recalls the evening of February 1970 when Lili led him into a small cinema in Moscow to watch a film of Mayakovsky The demoiselle et le voyou. Holding out the few remaining frames, the friend told him the story of the second film, Chained to the film: "Who has seen, who will see these Leftovers that are not "silent"? "Questions Toti. In France Brik's sister, Elsa Triolet Aragon Kagan, had recently organized an exhibition on Majakovkij. Toti wrote to March 10, 1970 that the matter may be known in Italy. The project blends. Puts it on paper because they do not fall into oblivion:
"... we will try again here [...] telling and posting pictures and posters and cutouts for mounting. In the hope that readers - or some superlettore rich with them - are other organizational and economic resources to bring movies to Mayakovsky in "public" new. "
posters, photographs, Lili letters: most part of the iconographic material will be removed from Toti to the introductory part of his heart with Telemar. In 1978 the plan rewriting audiovisual ambitions took three years
"Years have passed since the Board of Directors of RAI-TV, on the eve of" reform, "approved the project that Gianni Toti had submitted to" the experimental "(...) for a film (television) on the film-brik majakovskijani. He was even prepared a budget for the resumption of a long television interview with Lili Brik, precaution and lovingly say cynical would disappear one day, as late as possible, the immortal mortal woman poet "(Fig. 2).
In Farewell to Lili Brik farewells to 41 the number of cards Secret (Jan-March 1978), Toti can not help but cry, through poetry, the death of the actress feeling "the total inability to return now that life image ': we had to
toti movie again - ah design it!
irrilanciato "unleashed by the film" instead reincatenata
from "distant vision" that the RAIlenti svive
palinsestuale always in his eyes scouring the species.
Given the inertia of the Rai, the only place guaranteed to make seems to be reviving the literary page. On one of the absolute master, the 1977 novel experimental limits of aphasia, life and death become the poles of a dialectic and discussed in chapter 36 right through the woman chained to her cinigma and painter, "he filmed the story of a film [...] and you read it here because the movie was not nonflam buzz and some store of powder, and only these words are written rifilma on a screen so that the internal schermimisce "(The absolute master, Feltrineli, Milan 1977 , p.57). The final song, which suggests some of the verbal images in which the mature narrator in the video is no longer that of the original Chained the film:
"The turnaround of the skirt the heart, the jump of kinetic painter: and all two-page inside the screen-painting-sculpture. He followed: she went out to drag him into his world or he had to chase her out then, the route incantazio, over eternity? "
In rewriting Toti hide in the rewriting of facts and reality intentional Mayakovsky (Figs. 3-4).
After ten years of the trilogy, released a booklet edited by the author, The Legend of Cinelandia (Fahrenheit, Rome 1994): This is the result of a process created and found on the chart where the spaces are resolved 2'40'' visual properties of frames printed. These pages collect the scenario of Chained to the film as noted by brick. And trace its variant ever made: Cinelandia is the land of cinema in search of which the painter, left alone, decided to leave. Mayakovsky would have written a second film, describing the artist's life occurred in the world beyond the screen. In 1926, however, returns on the first draft and signing Heart cinema changing the ending. The painter lit his pipe. Thrown into the air, the match fell to the tail of film to which she was again chained. And the burning. Reality and fiction, a painter and dancer, was not destined to meet again. Under the same sign of a fire that was soon to reality.
----
1. M. Gazzano, Gianni Toti. The time of effect, id., Cinema photography, computer, Quattroventi, Urbino, 1999.
Publicado en la Revista Predella, no. 26 (2009)
ARTICLE IN PDF
Monday, October 25, 2010
Thursday, September 30, 2010
The Biggest Shark Ever Seen
Vecla
Finally, my old words can let their hair grow white. Words, I say, to say sentences, phrasing, articulation and join, leaving the speech rhythm and conclude strolling away. Now my writing, already old, lets go to the repetition, the memory of him, the nostalgia of the first discoveries of the musicality that is vague rhythmic beat of my fingers and the keys to a discourse that has its times, the pauses, even his overflowing with empty virtual unexpressed but expressible in their own inexpressibility. So I let myself disaccentare, losing the rhythm of my feet, not just literary ones my arthritic legs and shaky.
not tell me anything that ion do not know, but will not know re-will know that "time" inimitable be imitated because they are too, I said one day, subjecting them to merciless criticism.
Now that you know, it's time to die. So he wrote. So he wrote
Yes my good friend Fraenkel, in the throes of profound fatigue writers. Before writing his masterpiece, Nobel carried oblige that, in fact, never wrote, but it remains his masterpiece, "A novel with white hair" - not a good subtitle? I could not put me to write it for the sake of my friend Fraenkel, in his words falsely invecchiantesi. That good old
Minutes wine!
The Physics Of A 'tech-deck'
Publicación reason with the anniversary of Toti nacimiento de el 24 de Junio. The house
Totiana announces
Today June 24, 2010, the day of his birth, La Casa Gianni Toti Totiana recalls with a publication created specifically for the web.
Descargar Publicación
Download the publication
Tuesday, September 21, 2010
Ap Biology Lab 5 Question Answers
Facies
Aveva facc a di quelle che, una volta dresses, mai non si ricordano. E, wears due volte, if dimenticano semper. Vistre tre volte, Invece, if ci ricorda ancora di Dimenticar.
Insomma, when I saw ricorderete di me, and my restituirete il Volto cancellata SGUARDI dai vostri?
Thursday, July 22, 2010
Monday, June 28, 2010
What Is Cubefields Last Level
Simon Bolivar - Rome
QUITO SAMPLE IN ZARAGOZA - ZARAGOZA HISTORY CENTER
QUITO SAMPLE IN ZARAGOZA - ZARAGOZA HISTORY CENTER Sunday, May 23, 2010
Cystic Fibrosis Interesting Facts
Review
The Dr.Corrado Malanga teaches organic chemistry at the University of Pisa, Italy. He has published many scientific papers in specialized international level. From a young age became interested in the UFO phenomenon and was part of the National UFO Center CUN, Italian, which, after differences with the board, council to which he belonged, was removed permanently. He continued his research on their own, specializing in alien abductions, called by him, ALIEN INTERFERENCE. The methodology is completely scientific, based especially on the direct study cases. Take personally treated over a thousand people, some regressive hypnosis, other, other NLP techniques and other techniques developed for the subject itself can release the problem. The Dr.Malanga considered useless to continue to provide physical evidence of UFO groups, since they never accepted him as true any of them though they were irrefutable, most likely because "certain people" did not want the world to know that there real phenomena. He decided to speak directly to the world and publish their work in as many ways as possible. The Dr.Malanga not with whether aliens exist or ever have visited, that is absolutely obvious to él.Los aliens not only exist, but for millennia interfere with the human race with a well-defined objective, accurate and not as friendly as they want us to believe by so many pseudo religious groups which speaks of "brothers of the stars" or "superior beings who love us so much that they want to help us evolve." People who believe in the latter may feel injured by reading the work of Dr.Malanga , susbcripta personally suggest, read it anyway, since it's always good to hear all the bells so that with awareness we can choose ourselves. The aim alien is clearly explained by the Dr.Malanga at work, as well as it is explained how to deal definitively with the interference.
is very important to note that Dr.Malanga has never claimed anything for his titanic work, with endless patience, hear and listen to each of the people who think they have to do with this problem, their working hours are grueling with explanations but with almost superhuman strength, she continues, because knowing knower of truth that is vital for all mankind, can not ignore, ignore it and go to sleep peacefully for someone else to solve. 
The Dr.Corrado Malanga teaches organic chemistry at the University of Pisa, Italy. He has published many scientific papers in specialized international level. From a young age became interested in the UFO phenomenon and was part of the National UFO Center CUN, Italian, which, after differences with the board, council to which he belonged, was removed permanently. He continued his research on their own, specializing in alien abductions, called by him, ALIEN INTERFERENCE. The methodology is completely scientific, based especially on the direct study cases. Take personally treated over a thousand people, some regressive hypnosis, other, other NLP techniques and other techniques developed for the subject itself can release the problem. The Dr.Malanga considered useless to continue to provide physical evidence of UFO groups, since they never accepted him as true any of them though they were irrefutable, most likely because "certain people" did not want the world to know that there real phenomena. He decided to speak directly to the world and publish their work in as many ways as possible. The Dr.Malanga not with whether aliens exist or ever have visited, that is absolutely obvious to él.Los aliens not only exist, but for millennia interfere with the human race with a well-defined objective, accurate and not as friendly as they want us to believe by so many pseudo religious groups which speaks of "brothers of the stars" or "superior beings who love us so much that they want to help us evolve." People who believe in the latter may feel injured by reading the work of Dr.Malanga , susbcripta personally suggest, read it anyway, since it's always good to hear all the bells so that with awareness we can choose ourselves. The aim alien is clearly explained by the Dr.Malanga at work, as well as it is explained how to deal definitively with the interference. is very important to note that Dr.Malanga has never claimed anything for his titanic work, with endless patience, hear and listen to each of the people who think they have to do with this problem, their working hours are grueling with explanations but with almost superhuman strength, she continues, because knowing knower of truth that is vital for all mankind, can not ignore, ignore it and go to sleep peacefully for someone else to solve.
Jack In The Box Stoner
An Argentine free!
Gentlemen! I want to leave this testimony. So far we only able to submit stories of liberation of people in Italy. Today I share with you the story of a beautiful person I knew in the subject matter for this blog. I share because I know many who will not dare to start the battle, they read and expect any solution from the "outside" ...
The release is possible but it is personal.
You yourself have to want it, and decided not to lower toughness never arms because as the author says, the effort is worth it!
(apologize for if you do not like too much expression, I wanted to leave as I arrived exactamante)
Gentlemen! I want to leave this testimony. So far we only able to submit stories of liberation of people in Italy. Today I share with you the story of a beautiful person I knew in the subject matter for this blog. I share because I know many who will not dare to start the battle, they read and expect any solution from the "outside" ... The release is possible but it is personal.
You yourself have to want it, and decided not to lower toughness never arms because as the author says, the effort is worth it!
(apologize for if you do not like too much expression, I wanted to leave as I arrived exactamante)
E his is my little story, great story for me, to have scored in my life, the famous "before and after." I'll summarize in 3 short parts and I will summarize with humor, because today I feel so happy. Happy to know who I am, understand and take control of my life.
1 was a party: The world is upside down, I'm the right
may sound arrogantmy statement, but today many people realize that we live in chaos and it took me a while to convince me that was right with my vision of things, because for all the weirdo, crazy, incomprehensible, I was. I sent a kid to church and 8 years, I scoffed at Jesus, that "curiously" is also my middle name by having most of my family dislocated. So I grew up not understanding why things were badly done and as a child until he realized and adults seemed not hear, or whether I felt more lost than blind in an orgy.
2 da party: I know Jesus?
Needless to say the drastic change that began to take my life, back in 2009 and although I did not want my mother's insistence, I got a computer, a friend insists that I put online and that was that I began to discover the truth. So guided by my interference alien "bugs" as I like to call, I fall into a virtual community of abductees (a cult). The plan was the bugs together and lead to "training" and that crap in the New Age would be like a final brainwashing to keep squeezing. That said, I'll go tell him why I put this 2nd party title. To be abducted and have chips, bugs began to communicate with us, told us we had been chosen for something important and all that bunch of lies that are used to manipulate, but something inside me (anime), I was crying not to trust "them" was so I kept reading and researching on my own along with a couple of people who do not feel safe there. Messages to us (the rebels), did not wait, as Jesus himself (let me ironic chuckle), we had strayed from the "road" (the way to the slaughter I would say) and all kinds of absurd things to keep us their stupid sheep. By the way, at night, every so often, I was immobilized in bed and the sensation of floating and being taken to who knows where, I had always thought it was a nightmare or dream that scared me a lot. From tiny he was afraid of the dark and large also had a night where we slept with the lights out, my fear was that someone has turned off the light in my room, it seemed unwarranted fear because I had no memory of seeing "something" that caused me such trauma might say, until he came to me the work of Professor Malanga. You can imagine My reaction to reading the questions of TAV, at that time could not believe it, started my internal struggle to accept what was happening and what I had spent my whole life without even realizing it. Do not know what to do, had to take the test and send it, but did not know how or where to and that was where I got the answer, I have to talk to the woman (now I consider my friend) that translates the work of Malanga English. Taken the test, translated and sent, came the reply from the teacher .... Positive.
ra Part 3: Sinbad and release
Having the certainty of being interfered had to fumigate the house and kill all the bugs, so full of doubts and suspicion about the method he would use (Sinbad), I decided to do so. I had a hard time believing he could be free of interference by a kind of mental game, which over the days I came to realize that it is more real than you think. In the first Sinbad, I remember one of the "characters" that appeared, which was not even in the book Alien Cicatrix teacher, a kind of bird, I would later find out that this was the body using the Horus just at the time the professor wrote the book, not much was known about this alien, so available few tools to know at that time if it was all a figment of my imagination or if these things really existed. For all this, Anima no news, but everything appeared not indicate that I am a soul. There were several attempts to cheat by posing lux it was really annoying, decaying, I saw stronger than me, but kept trying, I could not give in, I could not continue with your game. Until I managed to enter Anima, she would not kill anyone, I spend a lot of bugs and told him to destroy them. He rose from his chair with great indignation, anger, because I wanted them to understand that they to leave us in peace. At that moment, I see Wraith begins to mourn because he had to kill them and my eyes start to tear out too, then I became aware that I am Anima and start the show, bugs and military destroyed, disintegrated, but this battle was just beginning ... . After many twists and turns, a day of the Simbad again, I have to go get Anima across the mirror, had grabbed a habit of hiding there because he likes to kill anyone, to my surprise, at the time I am about to go on the other side, leaving her, but not as commonly seen, was like a very thick fog, seemed insignificant Spirit and Mind next, Anima was angry, knowing that the aliens wanted to put in a box and would not be able to have more experience, angered and went straight to the last thunder missing, the Horus. Now with the triad more united and stronger than ever, you can notice a change in your personality because you are not the same as before, you feel different, sure, with energy, eager, happy, you can you devote to being yourself, you know what you want and the world's in your favor. Finally you realize that there is your place in the world and that life is extremely beautiful and well worth the effort you did for free. "
A abductees say one last thing, do not get the arms, must realize the power you have, when they discover that the abduction will become a mere anecdote. Corrado and
xxxxxxx Thanks for your support. Rolando
Tuesday, March 30, 2010
Pakistani Weddings Wordings
SUBJECT mobile, video and photographs
Subject
Mobile
in collaborazione with Pablo Hernandez
See Town of Rome City
Subject
Mobile
in collaborazione with Pablo Hernandez
See Town of Rome City
The construction of notions such as nation-state, country, border, public safety, etc. and is supported entirely depends on the ability of institutions to generate an image easily accessible from the company to justify the actions and policies to safeguard these pseudo nationalists and federalists speeches.
In Fortress Europe migrants have become the custodians of the responsibility of all social conflicts, insecurity, unemployment and loss of identity that are characterizing this company, once prosperous and now in crisis. The production of campaigns information representing the other "foreign" with negative characteristics that can arouse fear, denial, or concerns among the citizens is an effective way to get the uncritical support of a population that consumes messages not discriminate between content and purpose.
Racism and Xenophobia are entitled to this kind of symbolic production, and few examples of possible resistance media, compared with a predominance of the official message.
Starting from these premises, the time seems propitious to use the picture as an anthropological tool that embodies this representation of the ironic, to draw attention to racism and discrimination towards migrants and to test a possible use, political and cultural threat-typing of the subject.
The use of anthropological portrait can be used to represent the two critical keys to understanding the current trend of anti-immigrant, or the attempt to represent the migrant subject as deviant, criminal (similar to the use of mug shots used by army ' order) and the subject "outsider" different "from the genetic point of view, ethnic, racial, as expressed in the use of the original photos in anthropological studies of human diversity. SIGUE
In Fortress Europe migrants have become the custodians of the responsibility of all social conflicts, insecurity, unemployment and loss of identity that are characterizing this company, once prosperous and now in crisis. The production of campaigns information representing the other "foreign" with negative characteristics that can arouse fear, denial, or concerns among the citizens is an effective way to get the uncritical support of a population that consumes messages not discriminate between content and purpose.
Racism and Xenophobia are entitled to this kind of symbolic production, and few examples of possible resistance media, compared with a predominance of the official message.
Starting from these premises, the time seems propitious to use the picture as an anthropological tool that embodies this representation of the ironic, to draw attention to racism and discrimination towards migrants and to test a possible use, political and cultural threat-typing of the subject.
The use of anthropological portrait can be used to represent the two critical keys to understanding the current trend of anti-immigrant, or the attempt to represent the migrant subject as deviant, criminal (similar to the use of mug shots used by army ' order) and the subject "outsider" different "from the genetic point of view, ethnic, racial, as expressed in the use of the original photos in anthropological studies of human diversity. SIGUE
Tuesday, March 23, 2010
Can You Have A Pet Platypus In Ny
Defined by its author as a videopoemopera e Gianni Toti Planetopolis is - with its two hours and six minutes in length - a video-bound. The spectators who witnessed his first public exhibition in Buenos Aires, did not attend anything other than the mythical foundation ceremony of a city-virtual world, built by the new availability of digital image; is accepting that challenge was initiated planetopolitanos status.
From Global Village made possible by the videosphere, which in just a couple of decades was Macluhan the utopia of a journalistic cliche, Toti has proposed the establishment of a new symbolic space, the foundation of a city-regulated world by law in perpetual transformation of his poetry. Gianni Toti
knew once defined as a poemosaurio. If the 60 'used to be regarded as a rhetorical theory in their speeches within the framework of the famous film festival in Pesaro (the adjective used to spit from a condescension not without some sympathy -The end of the day - from the positions of the promoters of a hard Marxism, formalized, with hints of episteme and scientific method), demonstrating its extraterritorial status, and in the postmodern 90 'Toti has been assumed as a living anachronism, nurtured and pure poetry sustained a work of astonishing vitality. In contrast to the lightness that often prevails in an orientation towards narcissistic look pure definition of its author, who postulated poesimista. It is because they believe live in the best possible place to be proposed - as I wanted the old Holderlin - poetically inhabiting the world, dating back to the video.
Planetopolis away to demarcate rigid boundaries, is established in border areas. Between the work and the manifest, beyond the devaluation from 70 'could be verified in the category of work on par with the rise of conceptual art, where the focus was on the agenda in the manifesto: art as idea, that as an object. Among the many video Toti ambitions is to transcend the opposition work / concept, creating a video show, taking a step toward a post-conceptual territory. And it does process the iconography and historical avant-garde projects, rather than the underground of the 50 'to date. Explore lineages to their city-planet that is essentially go back to experiences Soviet of 20 ', but who came to architectural projects of a dream-Boullée in the eighteenth century.
In that sense, the work is also located at a point of convergence between the visual arts, music, poetry and various aspects and stages of video creation, developing a wireless video-knot with heterogeneous texture which often puzzles. Lo videopoemopera DIY speaks of that starting point, far from forcing a hybrid guarantees the originality of the result.
But there is another border, which is located between the video and digital art. Toti traveling with his camera recording the visible part of its course. However, as much from than in the absence of a better name now called digital art. Cosmic spaces, tunnels, buildings, areas dizzying liquid figures, extending a virtual magma where the image often seems to be located at the end of a pregnancy visible. Toti thus obtained an epic video image.
As perceptual and intellectual experience high demand, summons Planetopolis ideal demographics and unusually complex. Toti's video is spoken in 15 languages, including artificial Planetopoliense. Participate in its course film footage of Lang, Eisenstein, Marker, Pennebaker, lanolin, among others, and videographers Nadruz Ulysses, Vladimir Carvalho, Bernard Bloch and Sandra Kogut. The soundtrack alternates Shostakovich, Honegger, Prokofiev, Handel, Mahler, Elgar Pachebel or with Mercedes Sosa, Atahualpa Yupanqui and Stephane Grappelli.
poemasaurica To reinforce its status should be noted bluntly that Planetopolis is a revolutionary video. There in a dimension that can surprise in the current aesthetic: the incorporation of history. Toti order does not refer to any history, but precisely the opposite: the beginning of another. In his Big-Bang-mail to your digital statement planetopoliense status, the work breathes a revolutionary desire to respect all life poetically conceived. Accustomed to minimalism more, the viewer this may hesitate before this maximalism poetic, progressing on a permanent revolution, turn after turn, as I imagine that young Denis Kaufman himself was baptized with the name in Ukrainian and Russian Dziga Vertov. Remember that in other times, the author returned again and again to the applications of that cinema-eye.
The extension makes it Toti video, on the other hand, in a distant period brevedades frequent accelerations and in the middle. Far from the speed that seems to impose the digital environment and obsessed theorists like Paul Virilio, Planetopolis taking time evolves. In this sense grows its demand the viewer, to be orbiting in their turns parsimonious, while the words are based, like images, in its course. It is a fine example in this regard, a cyber-criticism resistance holding exploding digital pump.
One of the problems characteristic of formal innovation in the video creation lies in its fundamental plasticity, that the time to question the borders of the image and promote new ways, makes it extremely functional, suitable for rapid assimilation and appropriation as raw material for various products in the audiovisual market, especially the music video or commercial. But Toti resistance poses a marketing strategy based on the installation of words that name the images, which stand a difference that challenge a viewer shaking your convenience. In its range of motion, the video of Toti causes an intense emotion that is rooted in its fundamental honesty. Oblivious to fashion, to current trends, this work highlights their inordinate thirst for meaning, which connects to the epic with an ethic of the image under its new forms. At times he seems naive and outmoded definitely ask if the video can transform the world, Toti proposes to change the question "Can the video start one? The answer is yes, and his name is Planetopolis.
Planetopolis, Gianni Toti (From the global city videosphere) - Eduardo A. Russo
(In the book The Revolution of Video - Jorge La Ferla)
Friday, February 26, 2010
Msds, Plaid, Clear Acrylic Sealer
Saturated Spaces / despachos saturados (House & Totiana Torreon de la Serna)
Msds, Plaid, Clear Acrylic
Subtus
I love it, Suad, I think I could if I only smiled, but I waited too, that smile, for not having noticed that just does not smile or, indeed, that smiles in installments, periodically, a bit 'from the left side of the lips and a bit 'to the right, or upper lip before and after the lower, and only with this or that part of the lips, the rest of the face and body does not smile even in part, does not know sottoridere, in fact. Or does it have any reason, poor Suada.
I told you, stupidly, and then does not smile at all, absolutely, or whole, from the root hair to the folds of the eyes, left and right, with all the facial muscles, teeth and then leaped around the sublanguage . Excessively, then smiles, and not even convince herself.
Forget, Suad, forget what I told myself and, more importantly, what did they tell you all, forget it, to smile, and if you want to laugh, to surridere, superridere, superridi well. It is not mandatory sottoridere, I did not tell you I ordered it, I do not want you to subway. Why underpass, you? 
I love it, Suad, I think I could if I only smiled, but I waited too, that smile, for not having noticed that just does not smile or, indeed, that smiles in installments, periodically, a bit 'from the left side of the lips and a bit 'to the right, or upper lip before and after the lower, and only with this or that part of the lips, the rest of the face and body does not smile even in part, does not know sottoridere, in fact. Or does it have any reason, poor Suada.
I told you, stupidly, and then does not smile at all, absolutely, or whole, from the root hair to the folds of the eyes, left and right, with all the facial muscles, teeth and then leaped around the sublanguage . Excessively, then smiles, and not even convince herself.
Forget, Suad, forget what I told myself and, more importantly, what did they tell you all, forget it, to smile, and if you want to laugh, to surridere, superridere, superridi well. It is not mandatory sottoridere, I did not tell you I ordered it, I do not want you to subway. Why underpass, you?
Subscribe to:
Comments (Atom)