Subject
Mobile
in collaborazione with Pablo Hernandez
See Town of Rome City
The construction of notions such as nation-state, country, border, public safety, etc. and is supported entirely depends on the ability of institutions to generate an image easily accessible from the company to justify the actions and policies to safeguard these pseudo nationalists and federalists speeches.
In Fortress Europe migrants have become the custodians of the responsibility of all social conflicts, insecurity, unemployment and loss of identity that are characterizing this company, once prosperous and now in crisis. The production of campaigns information representing the other "foreign" with negative characteristics that can arouse fear, denial, or concerns among the citizens is an effective way to get the uncritical support of a population that consumes messages not discriminate between content and purpose.
Racism and Xenophobia are entitled to this kind of symbolic production, and few examples of possible resistance media, compared with a predominance of the official message.
Starting from these premises, the time seems propitious to use the picture as an anthropological tool that embodies this representation of the ironic, to draw attention to racism and discrimination towards migrants and to test a possible use, political and cultural threat-typing of the subject.
The use of anthropological portrait can be used to represent the two critical keys to understanding the current trend of anti-immigrant, or the attempt to represent the migrant subject as deviant, criminal (similar to the use of mug shots used by army ' order) and the subject "outsider" different "from the genetic point of view, ethnic, racial, as expressed in the use of the original photos in anthropological studies of human diversity. SIGUE
In Fortress Europe migrants have become the custodians of the responsibility of all social conflicts, insecurity, unemployment and loss of identity that are characterizing this company, once prosperous and now in crisis. The production of campaigns information representing the other "foreign" with negative characteristics that can arouse fear, denial, or concerns among the citizens is an effective way to get the uncritical support of a population that consumes messages not discriminate between content and purpose.
Racism and Xenophobia are entitled to this kind of symbolic production, and few examples of possible resistance media, compared with a predominance of the official message.
Starting from these premises, the time seems propitious to use the picture as an anthropological tool that embodies this representation of the ironic, to draw attention to racism and discrimination towards migrants and to test a possible use, political and cultural threat-typing of the subject.
The use of anthropological portrait can be used to represent the two critical keys to understanding the current trend of anti-immigrant, or the attempt to represent the migrant subject as deviant, criminal (similar to the use of mug shots used by army ' order) and the subject "outsider" different "from the genetic point of view, ethnic, racial, as expressed in the use of the original photos in anthropological studies of human diversity. SIGUE
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