date of postmark: 2 (?) May 1987
[...] Re-view literature in its working process and progress is necessary, and particularly in periods of transition to a different so damn state of the art. Just today, that the mental models of sciences and arts are compared (just think of the seven videos that I myself have been asked to carry out by scientists from Trieste Intercultural Society for the Science and Art for the exhibition "L'Imaginaire Scientifique", which was held in the spring of 1986 to Géode the Cité des Sciences et Tecniques Industrie at La Villette in Paris, this spring, already as a second edition, in the search of the Fiera di Milano). On the horizon looms a unitary model of human creativity. My seven videopoemi scientific or scientipoemi are the first evidence of sinestetronica in progress ...
... The continuing shift from one area to another is now the semantics creative state minimum to continue to "describe the universe" and at the same time to "continue to create" extreme and critical thinking can be prosecuted by their own artistic language in ongoing fight against themselves and their critical thresholds. So secret papers on the one hand, to search for these holes blacks language and languages \u200b\u200band testing of the joints from collapsing event horizons, and, second, the poetry of the strange attractors as the title of my latest book poetry (published by empirical Camaiore Award finalist in '87 along with judges, Roversi, Hunter, beech) that absorbs the proliferation neologistico-scientific, new "fields" of the vocabulary to say the unsayable "postmodernariato" oltrelinguaggio the era that seems to elude us, the media-evalizzazione overall. Hence the "Poetronics" or the "electronic poetry," or "poematica" or "poetry-information trans-automatic" (the "global village electric) puts the issue of the integration of languages \u200b\u200band the creation of new arts, not replacement of the old arts and also carried out but additional re-embedding: ... pour donner sens a while / au mots de la tribe ...
... For some years I'm writing "irracconti" or "unspeakable", "in raccontumacia," published in various magazines sheaves border that I ask for them (and sometimes even dressing up, hiding them under other names, royalties). It has published a final choice magazine-series of "General Stores of Poetry", after "Anterem", "Marka", "new Almanac," "The Battana", etc.. and another section is about to publish a new magazine "Auerbach's Tavern." Meanwhile I'm preparing to run the last "cameraman" for the Research and Experimentation Program tricoproduzione Rai, the third channel and the Istituto Luce, a character from Velemir Khlebnikov, whose appeal is just the centenary of the birth, videographers entitled "Squeezangezaùm" (combination of the "special effects generator" squeezoom ", the title of the poem Khlebnikov" Zangezi "and the language of transmental futuriani than seventy years ago," Zaum. "I also write, especially poems scientipoematici and prepare for a long time a "inerromanzo verse" that I will not say more until I made ... Furthermore, by establishing the ongoing "totiano", or "poetotiano", the language of writing my "utotìe ...
... there you go, dear George
... and promise to send you 51, 52, 53 of "secret papers" in the hope of one day, then come and discover the island, and spend a dream, for too long vacation with my old young friend ... But you let me have "Litera-Tour" (simpatoticissimo title) and ... Ischia: You promised me ... And give your stories a bit 'thicker: I would want to repeat the questions I do yourself!
short, soon, here or there. With a strong affectionate hug from me and Marinka ...
your Gianni Toti
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